Some variants give the pronoun in the first line as ye instead of you, in a pseudo-archaism. This is the case already in the 1775 variant, and is also reflected by Dickens's replacement of the verb rest by bless in A Christmas Carol. notes that the first line "often is mispunctuated" as "God rest you, merry gentlemen" because in contemporary language, rest has lost its use "with a predicate adjective following and qualifying the object" ( Century Dictionary). In Romeo and Juliet, the servant who inadvertently invites them to Capulet's masqued ball twice tells Romeo and Benvolio, "Rest you merry." The transitive use of the verb rest in the sense "to keep, cause to continue, to remain" is typical of 16th- to 17th-century language. However, merry is often misinterpreted as an adjective modifying gentlemen. It appears in Shakespeare's 1599 play As You Like It. The historic meaning of the phrase "God rest you merry" is 'may God grant you peace and happiness' the Oxford English Dictionary records uses of this phrase from 1534 onwards. The following version of the first verse is found in a manuscript dating from the early 1650s: It is also quoted in George Eliot's 1861 novel Silas Marner. The carol is referred to in Charles Dickens' 1843 novella A Christmas Carol. Īn article in the March 1824 issue of The Gentleman's Magazine complains that, in London, no Christmas carols are heard "excepting some croaking ballad-singer bawling out 'God rest you, merry gentlemen', or a like doggerel". Hone's version of the tune differs from the present melody in the third line: the full current melody was published by Chappell in 1855. It had been associated with the carol since at least the mid-18th century, when it was recorded by James Nares in a hand-written manuscript under the title "The old Christmas Carol". Soon after, it appeared in a parody published in 1820 by William Hone. The better-known traditional English melody is in the minor mode the earliest printed edition of the melody appears to be in a rondo arrangement for fortepiano by Samuel Wesley, which was already reviewed in 1815. Īlthough there is a second tune known as 'Cornish', in print by 1833 and referred to as "the usual version" in the 1928 Oxford Book of Carols, this version is seldom heard today. Others date it later, to the eighteenth or early nineteenth centuries. Some sources claim that the carol dates as far back as the 16th century. A precisely datable reference to the carol is found in the November 1764 edition of the Monthly Review. The earliest known printed edition of the carol is in a broadsheet dated to c. It contains a slightly different version of the first line from that found in later texts, with the first line "Sit yo w merry gentlemen" (also transcribed "Sit you merry gentlemen" and "Sit yo u merry gentlemen"). History 1827 publication of the melody, set to satirical lyrics by William HoneĪn early version of this carol is found in an anonymous manuscript, dating from the 1650s. It is also known as " Tidings of Comfort and Joy", and by other variant incipits. " God Rest You Merry, Gentlemen" is an English traditional Christmas carol. Problems playing this file? See media help.
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While such visual indications, along with the size of the tiles and their installation date might offer an idea of the possibility of asbestos being present, only an asbestos test can verify this. If there is a trademark pinhole mark, and a powdery appearance, there is also a good chance that asbestos fibres are present.Īsbestos ceiling tiles are usually light and the surface has mild texturing. Square tiles which were installed between the 19 have a high probability of containing asbestos. Moreover, not all tiles used in the 20th century necessarily contain asbestos. Unfortunately it is not that simple to identify whether tiles are asbestos tiles or otherwise.Īsbestos fibres are microscopic, and hence they will not be visible to the naked eye. What Do Asbestos Ceiling Tiles Look Like? Most asbestos ceiling tiles were usually produced in 9” x 9” square sizes. If the building was constructed or renovated before 1980, there is a good chance that asbestos containing tiles were used.Īn asbestos survey will be able to determine if the ceiling tiles contain any hazardous material. This can include schools, warehouses, hospitals, as well as homes built back then.Īsbestos containing ceiling tiles were mostly common in kitchens as well as in basements in order to cover ductwork.Īsbestos ceiling tiles were also referred to as suspended ceilings, drop ceilings and acoustic ceilings. Unfortunately, asbestos ceiling tiles can be found in various buildings which were built in those times. It was used in tiles as well as in the paper backing for tiles, and adhesives used to affix tiles together.Īsbestos popcorn ceilings were very common back then too. Where to Find Asbestos Ceiling TilesĪsbestos ceiling tiles were used until the late 1980s.Īsbestos was a common additive to many ceiling treatments for several years. The use of asbestos for ceiling tiles started around the 1950s and continued well into the 1980s, until the mineral started to become more highly regulated once its health risks became more known. The asbestos fibres were bonded with other materials such as vinyl, in order to make tiles.īesides these positive properties, asbestos was low in terms of cost. It was also used for adhesive materials which were used to bound sections of tiles together, as well as for the tile insulation.Īsbestos fibres were commonly used to make acoustic asbestos tiles too. Why is Asbestos in Ceiling Tiles?Īsbestos was used in ceiling tiles to make them more durable and fireproof.Īsbestos improves heat resistance as well as insulation. When these fibres become airborne and are inhaled, they will lead to various diseases and health problems, which could also be fatal.Īs a result, laws were passed in an effort to ban the use of asbestos products. Since it is highly resistant to heat, electricity as well as corrosion, it was added to offer fireproofing properties and more durability. It's unknown what happened to his mother. He was the proud son of Nathan Hockley, a powerful and wealthy steel tycoon. This shows that he did know when to accept defeat or rejection if he had to.Ĭaledon Hockley was born on March 17, 1882. And when Rose rebuffed him for the final time after the disaster, he decided to let her go. This shows that he did not approve of unnecessary deaths. He was shocked and angered when Murdoch accidentally killed Tommy he is even horrified to witness the ship's first smokestack falling down and crushing Fabrizio and several passengers to death. Cal even convinced the officers to let him board on a lifeboat by taking an abandoned child for himself after learning that they won't take any bribes from anyone.ĭespite this, he was not completely evil and had some moral standard. He also proved to be quite manipulative, as he was able to (briefly) frame Jack for the supposed theft of a rare diamond to have him arrested by the master-at-arms, as well as deliberately ditching his bodyguard Spicer Lovejoy by convincing him to get the diamond for himself by killing Jack, much to Lovejoy's frustration. Cal was so ruthless and relentless that he had his rival handcuffed to a sinking ship in a desperate attempt to keep Rose for himself, though his efforts were to no avail as his violent temper and general contempt for others simply served to alienate Rose away from him, much to his frustration. The tubes of the waterslides feature clear loops extending over the ship’s sides, so riders are able to enjoy (for a very short time) the sea view around and below.This slide’s length is 525 ft / 160 m, with numerous twists-turns-drops along the route. The trademarked “Duelling High-Speed AquaTubes” waterslide is for competitive races.The “smart slide” uses a gaming system that identifies the riders, tracks their progress and shows the scores. The goal of this “outdoor gaming” is to match the colours of the flashing lights in the slide’s sections with the buttons mounted on the raft. These are new-technology rafts that include an embedded video game controller with buttons in different colours. Guests are able to race down this 367 ft / 112 m long water-slide on specially designed rafts.
They worked 15+ hour days with little to no rest and would do it all over again the next day. John and Pino put all their baking knowledge and passion into the store, which had to make a name for itself at the beginning. John and Pino bought the building in March 2005, worked on it non-stop for the next three months, and opened Fratelli's in Quincy in July of that same year. The building used to be a taco factory and a popular bowling alley well before that. With both of them on board, they quickly found a place in Quincy which had been empty for about two years. One day John suggested to his brother Pino that they should open a bakery together. Between then and 2005, John worked in two different bakeries building his knowledge and expertise as a pastry chef, until he decided to open his own store alongside Pino, who came back to the United States in 2000. Owners (and brothers) Giovanni (aka John) Milone and Pino Santarpia have come a long way since 1977, when John was 16 and decided to stay in the United States, while his parents moved back to Turin, Italy, taking his younger brother Pino along with them. The result is Fratelli's Pastry Shop in Quincy, Weymouth, and Taunton. Take two brothers with different last names who lived an ocean apart for a good portion of their lives, the passion to bake and prepare gourmet pastries. Your baked goods should be fresh, locally-made and delicious
A cover of The Rolling Stones classic “Bitch” precedes the ballad, and its nasty riff-given a slightly meatier treatment here-is a perfect fit alongside the Daisies’ anthemic originals. Unlike the previous album, there is a ballad here in “Set Me Free,” slotted in nicely toward the middle and giving your ears a bit of a break before the Daisies crank it back up to 11 for the remainder of the record. If I have to, I’ll go with the opener “Resurrected,” with its dramatic, orchestrated climax the ultra-bluesy title track and “What Goes Around” and “Dead and Gone,” each sporting a riff that’s absolute fire. This record is so strong from top to bottom that picking out favorite songs is a near impossible task. With that foundation, Corabi remains one of the most powerful voices in rock music today, and Aldrich continues to be among the more underrated lead players around. Written, recorded, mixed and mastered in a period of just over a month in late 2017, “Burn It Down” continues in the heavier direction of “Make Some Noise” and captures the raw rock ‘n’ roll energy and vibe the Daisies bring to the stage, with massive, stadium-shaking riffs and rhythms, courtesy of bassist Marco Mendoza (Whitesnake, Thin Lizzy), new drummer Deen Castronovo (Bad English, Journey) and rhythm guitarist David Lowy (Red Phoenix, Mink). Continuing to strike while the iron is hot, the Daisies are back with their fourth studio record, “Burn It Down,” which might be their best yet. As they’ve tightened and toughened their classic hard rock sound, their prolific output has included the studio releases “Revolucion” (2015) and “Make Some Noise” (2016), the live record “Live & Louder” (2017) and multiple globe-spanning tours. The Dead Daisies have been picking up steam steadily since vocalist John Corabi (The Scream, Mötley Crüe, Union) joined the band in 2015 and got an extra boost in 2016 when Doug Aldrich (Whitesnake, Dio) stepped in on lead guitar. Acquiring it-and even more so, sustaining it-is everything. In the here today, gone a little later today music business of the 21st century, there is perhaps nothing more important than momentum. In what Olympic sport would you most like to win Gold?ġ3. What’s the most recent book you’ve read?ġ2. What’s the last movie that made you laugh or cry?ġ1. What is the name of one of your favorite charities?ġ0. What’s one talent you have that others here don’t’ know about?Ĩ. What activity recharges you or makes you smile?ħ. If you could interview anyone living or dead, who would it be?Ħ. If you had one month off work and unlimited money, what would you do?ĥ. What superpower would you most like to have?Ĥ. If your home was on fire and you could save just one personal possession, what would it be?ģ. Here are 15 sample questions to get you started. Be sensitive to cultural and gender assumptions as you create your questions. You’ll also need a fine-tip Sharpie pen to write an interesting question on each block. So, if you would like to create your own version of Truth and Jenga, buy a set at your local toy store. Sharing personal information with receptive listeners increases psychological safety, an essential condition that helps people feel like they belong and can trust each another. We know from neuroscience that laughter triggers the release of endorphins which are the brain chemical associated with social bonds. The only instruction I gave was, “Be curious.” * Team members got to practice their listening skills in an informal setting, acknowledging what they’d heard and asking follow up questions. In other words, the questions launched a deeper inquiry about one another. * Team members’ answers to simple questions often led to conversations about values, and personal identity. Here’s what I noticed during the course of what the team came to call the “Truth and Jenga” game: It’s a game of escalating risk and calculated choices! In the spirit of playful familiarity, I thought to myself, what would happen if, after removing a block successfully you had to answer a question written on the block? Take 60 rectangular wooden blocks, stack them into a tower, and then take turns removing one block at a time without causing the tower to collapse. Jenga is just about the simplest game you can imagine. When people feel seen and understood, and have fun together, work becomes a more human place. The second goal was to play and laugh together. The first goal was to help them learn about one another beyond their public resumes and job descriptions. Recently, I was planning an offsite retreat for a team with a significant number of new members who didn’t know each other very well. In each four-lesson unit, elements of previous lessons are interspersed with new content, and you’ll periodically be presented with short sessions that revisit material from previous units. Increasingly advanced elements such as verb conjugation and tenses are slipped into conversation sequences that provide context. Rosetta Stone starts by teaching you the basics, beginning with simple words and phrases that describe what’s going on in a picture. While the latter approach works well for some, we’re among those who do best with immersive learning. With Duolingo, you have to translate directly between your mother tongue and the target language.Ĭlear, simple images make phrases easy to understand, even though they never refer to your first language Rosetta Stone’s emphasis on learning your new tongue without referring to your first language sets it apart from many language learning systems, such as the free, web-based rival Duolingo. The live lessons are taught entirely in the language you’re learning, by native speakers who encourage you to put what you’ve learned to practical use and prompt you to converse with your classmates. Unfortunately, there’s no Rosetta Studio app to provide live sessions on Android at the time of writing, although Rosetta Course for Android otherwise has all the same features as its iOS equivalent. You can take up to four live classes per month and participate via your browser or an iOS app. In addition to the lessons in each unit, there are two live sessions with a tutor and up to three other students. You’ll ideally want to use a headset for most of the lessons, as Rosetta Stone uses voice recognition to help you perfect your pronunciation.Īs well as speaking and reading, you’ll learn to write in your chosen language and even use accents correctly A structured educationĮach level of the course is comprised of four units, and the French course has five levels. There’s also a Milestone test at the end of each unit in which you put what you’ve learned to use in a simulated conversation. You can focus on specific elements, such as listening, reading, speaking, writing or vocabulary. There are four half-hour lessons in each unit, and a plethora of shorter lessons help you revise the material from the four main lessons. The many individual lessons that make up each unit of the course take between five and 30 minutes to complete. Even if a lesson is interrupted, whether by loss of connectivity or because you’re called away from the PC, your progress will be saved. We completed several lessons on an iPad over a slow 3G connection with only occasional interruptions. Thankfully, it doesn’t have to be a particularly fast internet connection. The disadvantage is that you need an internet connection to access your course. All you need is access to a web browser, although you can also use an app for your Android or iOS smartphone or tablet. This means you can run it on any device, whether it’s a laptop, PC or tablet. Rosetta Stone TOTALe is the online version of the course, and is platform independent. There are plenty of language learning applications out there, but Rosetta Stone is the best known, providing an immersive course that uses images and speech to build your familiarity with your chosen language. 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